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| 刚找到的Ben van Berkel的文章 请高手进来看看 帮忙分析一下 |
陋室蔽人
发贴: 32 
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 2006-01-03 23:37 
      The structure of movement Ben van Berkel, Caroline Bos The contemporary museum is a mixture of supermarket, temple and tourist attraction. This heterogeneous collection of functions imposes a great diversity of technical and structural requirements. In Museum Het Valkhof the wide variety of the objects and works of art belonging to the different museological collections reflect the potential heterogeneity of the building. The central question with respect to the architectural design therefore concerns the insertion of a layer of coherence and continuity by way of protective netting and background to the diversity and differentiation. How to fit the extensive programme with the collections, circulation and climatic and lighting installations? And how to tie together these aspects so as to achieve an integrated whole? The building is approached inclusively, no longer thinking in terms of individual ingredients, but searching for a fluent, comprehensive organizational structure incorporating difference. In Museum Het Valkhof all the material and immaterial aspects of the building collaborate to form a new museum organization. Movement is the structuring principle of this new museum organization. The architectural design structures movement in two ways; through the arrangement of the museum floor in ’88 ways’ and through the ‘large details’. The 88 ways, the free walking patterns dissecting the museum floor, constitute a virtual, connective structure that originates from the routes taken by the visitors. The large details are elements that are functional for the typology of the museum, and which have been applied in this building in a way that liberates them from their rigid, iconographic significance. The museum stair, for instance – a 19th century, hierarchic structure with a strong symbolism – is given a new, multiple significance in Museum Het Valkhof. As well as acting as a spatially directing agent, the stair functions as a public meeting place, as part of the load – bearing structure of the building, and as a link between rural and urban environmental factors. This liberalized reinterpretation of an existing typology is also found in the external appearance of the building as a whole. The abstraction of the glass box – a 20th century typology – reappears as a neutral background to the exhibition of cultural artifacts, while at the same time the box structure is broken internally by the presence of other, more complex and topological organization structures in the form of the stair and ceiling. The large details of the glass box, the stair and ceiling are integral elements that result in particular spatial effects. They are not normal details in the sense of static connecting elements. In Museum Het Valkof this role is played by the collections. The works exhibited are the small details which people pause to consider. The large details communicate movement, accompany the visitor, take up time and change within themselves. The emphasis is on the continuity of the material. Each surface – whether stair, floor or ceiling – must be continuous so as to generate a flowing dynamic in a cohesive, inclusive structure. |
| 人气 | 标题 | 作者 | 字数 | 发贴时间 |
| 1332 |
刚找到的Ben van Berkel的文章 请高手进来看看 帮忙分析一下
| 陋室蔽人 | 3172 | 2006-01-03 23:37 |
| 23 |
Re:刚找到的Ben van Berkel的文章 请高手进来看看 帮忙分析一下
| 陋室蔽人 | 16 | 2006-01-03 23:44 |
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