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| piano的话——空间，材料，城市中心，文脉，自然 [精华] |
i
发贴: 168 
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 2002-03-27 13:02 
       "SPACE" "Space is made up of volumes, high and low volumes, compressions and expansions, calm and tension, horizontal planes and inclined planes. They are all elements intended to stir the emotions, but they are not the only ones. I believe that is very important to work with the immaterial elements of space and I am fascinated by this research. I think that it is one of the main currents in my architecture. "空间 “空间是由各种不同的体量组成的，高大的，低矮的，压抑的，舒展的，冷静的，热情的，水平向的，倾斜的。它们都是可以唤起人们感情的元素，但并不是唯一的。我相信对空间内非材料元素的研究是非常重要的，我对这项研究十分感兴趣，并且这也是我所设计的建筑中的主要内容之一。 "MATERIALS: terra cotta, wood and stone" "True modernity can lie in the oldest of materials, constructions techniques, and ideas." "Building Workshop has taken another look at terra-cotta, wood and stone, elements that are found in the most ancient works of architecture, and has tried in some way to reinvent their use. Sometimes these materials have been given structural tasks, at others they have served as facings and ornamentation. In both cases the rediscovery of the functional properties of the materials has coincided with a reclamation of their expressive qualities in close relation to the context "材料：赤土陶，木材，石料 “真实的现代应当基于最古老的材料，无论构造技术或是想法。“ “Building Workshop 从另一角度看待这些从古建筑中找到的材料：赤土陶，木材，石料，并试图找到再次利用这些材料的方法。这些材料有时作为承重材料，有时作为贴面或装饰。无论哪一种情况，都应当与周围相近有关的文脉保持一致。 "URBAN CENTRE" "When I’m asked what the city of the future will be like, I answer: like that of the past, I hope. Our century has done terrible damage to that great human invention, the city. Its positive values – social life, the mix of functions, the quality of the buildings – are all leftovers from the past, and barely survive in the urban centres of the present day. And yet they are indisputably modern values. Today, we speak of multifunctionality, and try to bring it into our designs. Yet until just a few decades ago, cities were multifunctional by definition." "We will have to learn the lesson of the old cities, whose model of urban planning has proved itself open to modification and updating, allowing it to survive for centuries. " 城市中心 “当我被问及未来的城市应当什么样，我会说，我希望就像过去那样。我们现代文明已经对过去人类伟大的创造——城市，有太大的破坏。城市正确的价值是——社会生活，不同功能的融合，建筑的质量——这些都是从过去延续下来的，但已经很少能在今天的城市中心存活下来了。尽管毫无疑义这也是现代城市的价值。今天，我们说多功能综合体，并试图将它引入我们的设计中。尽管几十年前，城市还是按不同的功能来分区。 “我们应当学习老城市，它们的城市规划提供了一种自我修改和更新的模式，这是的它们可以一直延续到现在。“ "CONTEXT" "History and nature: the two contexts in which architecture has his roots. These two elements coexist and interact." "The context is a resource; it is material to draw on, a score to be interpreted.""Architectural invention cannot ignore history, tradition or the context of construction. It may decide to break with all that, but even then it has to take these influences into account, though in terms of opposition, of overturning. "文脉“ 历史和自然：建筑依存这两种路子发展。这两种元素互相依存，又互相抵抗。“文脉是一种资源，它是做设计的原材料，是解释设计的理由根据。 “建筑设计不能忽略历史，传统，或者构造的使用背景。设计可能与这一切都无关，但即便推翻原有的文脉，也要考虑到这些东西可能产生的影响。“ "NATURE" "The structure on which the building stands is normally made out of materials from the place itself: it is like a bas-relief carved into the site. This means that every project has a topographical component. To interpret the "placeform", every project requires a specific study, a deep understanding of its history, geography, geology, and climate." "Nature does things well, and careful observation of it can teach us many things, but imitation is naive and ridiculous. At the most, it is possible to recognise common elements that derive from the application of the laws of physics and mechanics. The roof of a building may look like a shell, for the shell is an amazing structure, the fruit of millions of years of evolution. That roof, however, is not a metaphor. A church is a church, a shell a shell. If the similarity remains, I would call it allusion rather than imitation. 自然 “建筑所采用的结构通常来自于场所上的材料，就像建筑的根部是植入基地的。这表明，每一个设计都应当具有地形上的成分。为了解释“场所的形态”，每一个设计都应当具备对场地历史，地理，地质和气象进行专门的研究，达到深入的理解。 “自然是完美的，认真的观察可以教会我们许多东西，但模仿是幼稚和愚蠢的：最多，我们可以从自然构成的物理和机械规则中发现我们所认识的普通元素。建筑的屋顶可能看上去像个壳体，壳是一种有趣的结构，是成千上百外年进化的结果。然而，屋顶不是比喻。教堂是教堂，壳体是壳体，如果存在相似之处，我宁可将它叫做“暗示”而非模仿。
i edited on 2002-03-28 09:30
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